Some other folks have reached out, but I gotta make sure everybody here is straight first.”Īnd in addition to producing, Spears has also taken on an A&R role, vetting a slew of collaborators to work with Lamar, and functioning as the veritable gatekeeper/master curator responsible for keeping the script straight on all of the different drafts and versions of the finished tracks that appeared on Lamar’s third studio album, on which he boasts production credits for nine of the 16 songs. His talents are in demand from artists outside of his circle, but he remains steadfast in his loyalty, or as Spears says, “I’m in a great place right now.

He’s been responsible for making some of the label’s most memorable beats, including ScHoolboy Q’s “There He Go,” Ab-Soul’s “Soulo Ho3,” and, of course, Lamar’s “Bitch Don’t Kill My Vibe,” and has been present since work on Butterfly first began in 2012. Mark Spears, who has been Top Dawg Entertainment’s exclusive in-house producer for the better part of a decade. If anyone, outside of Kendrick himself, can be credited with forging the album’s direction, it’s the Los Angeles-based producer Sounwave, a.k.a. New discoveries can be made on each and every pass - whether it’s a specific meaning gleaned from one of Kendrick’s countless knotty verses, or a production flourish that proves to be deceptively complex. Even though it’s been close to a month since Kendrick Lamar released his dense, jazzy opus of a third album, To Pimp a Butterfly, currently a frontrunner for album of the year, the record remains exceedingly fresh after repeated listens.

Kendrick lamar pimp a butterfly vk 7z